Artist Alexander Calder’s use of movement and sound is due, in part, to his fascination and engagement with choreography. The sculptures on view in this installation will frequently be in motion, allowing visitors to experience them as the artist intended. The exhibit will be complemented by a series of performances and events, including one-time demonstrations of rarely seen works and new commissions.
In the early 1930s, Calder invented an entirely new mode of art, the mobile—a kinetic form of sculpture in which carefully balanced components manifest their own unique systems of movement. These works operate in highly sophisticated ways, ranging from gentle rotations to uncanny gestures, and at times, trigger unpredictable percussive sounds. Calder: Hypermobilityencompasses major examples of Calder’s work including early motor-driven abstractions, sound-generating Gongs, and standing and hanging mobiles.
In collaboration with the Calder Foundation, the exhibition will feature an expansive series of performances and events, including a number of episodic, one-time demonstrations of rarely seen works, as well as new commissions, which will bring contemporary artists into dialogue with Calder’s innovations and illuminate the many ways in which his art continues to challenge and inform new generations.
The exhibition is organized by Jay Sanders, Engell Speyer Family Curator and Curator of Performance, with Greta Hartenstein, senior curatorial assistant, and Melinda Lang, curatorial assistant.