The objects and project artifacts in All Over the Place will be organized around the thematic strands that have long preoccupied Chin’s thinking, including the natural environment, socioeconomic systems and injustice, the weight of lamentations as well as the lightness of humor to reveal truths. Botany, ecology, and oceanography are examples of the disciplines that intersect in the artist’s politically charged work and demonstrate how art can promote social awareness and responsibility and reanimate curiosity. Select works will highlight Chin’s engagement of multi-disciplinary, collaborative teamwork in order to posit community-based solutions to ecological and sociopolitical crises. As a result of such teamwork, Chin’s work challenges the idea of the artist as the exclusive creative force behind an artwork.
All Over the Place will debut four newly commissioned projects, Flint Fit, Soundtrack, Unmoored, and Wake. Flint Fit, an ambitious, boundary-breaking project, consists of a complex triangulation of places and processes. Flint Fit is envisioned as applying the strengths of places, as an action in the face of crisis, connecting New York City; Flint, Michigan; and Greensboro, North Carolina in time, function, and fashion. In Flint, the water is contaminated with lead, and residents must use bottled water for cooking, washing, and drinking, creating countless, constantly accumulating empty plastic vessels. At Chin’s instigation, over 90,000 used water bottles were collected by the people of Flint, and sent to Unifi, Inc, a textile manufacturer in Greensboro, North Carolina where they were shredded and made into fabric. Michigan-born, New York-based fashion designer Tracy Reese designed a capsule collection made from this fabric, with a focus on rain gear and swimwear. The garments were then sewn by women sewing their way back into the workforce at the St. Luke N.E.W. Life Center back in Flint. These designs will debut in a fashion event at the exhibition opening and be displayed at the Queens Museum’s Watershed Gallery.
In a major partnership with Times Square Arts, two works by Chin have been commissioned. Unmoored is planned as a spectacular, surreal phenomenon pushing Mixed Reality to fill the skies above Times Square. It is a work to engender a moment of awe, with a glimpse into an imperiled future. A parallel work, Wake, commissioned by the Times Square Alliance, is a presence evoking the hull of a shipwreck crossed with the skeletal remains of a marine mammal bleached by erosion and time. A larger-than-life ship’s figurehead based on Jenny Lind, the superstar of the 19th century, surveys the air above her. While offering a shift from the frenetic energy of the city, these works evoke the city’s triumphs, its grave dark past, and create and a place for contemplation.
Soundtrack is a new work of collaborative sound art initiated by Mel Chin with project curator Jace Clayton (aka DJ /rupture). Five local musicians will transform field recordings from the routes of the 1, 5, 7, E and F trains into compositions that bridge the mechanical and the human.
All Over the Place is curated by Manon Slome, Co-Founder and Chief Curator of No Longer Empty, and Laura Raicovich.
Mel Chin (b. 1951, Houston, TX) is a conceptual artist is known for the broad range of approaches in his art, including works that require multi-disciplinary, collaborative teamwork and works that conjoin cross-cultural aesthetics with complex ideas. Chin received a B.S. from Peabody College, Nashville, TN. His work has been widely exhibited nationally, and internationally, including at the Hirshhorn Museum and Sculpture Garden, Washington, DC; Walker Art Center, Minneapolis, MN; Menil Collection, Houston, TX; Storefront for Art and Architecture, New York, NY; The Fabric Workshop, Philadelphia, PA; Swarthmore College, Philadelphia, PA; Station Museum, Houston, TX; Frederieke Taylor Gallery, New York, NY; Museum Het Domein, Sittard Netherlands; Thomas Rehbein Galerie, Cologne, Germany; The Nave Museum, Victoria, TX; Asheville Art M